Archive for the 'USA' Category

An Interview With Gianluca Iannone


 

CasaPound is an Italian political movement that takes its name from the American poet and Fascist sympathizer, Ezra Pound. Although it is inevitably referred to as “extremist,” “racist,” and “neo-fascist,” the movement, which was founded in 2003, is in fact more complex and interesting, especially from an alternative right perspective. It takes a holistic and grass roots approach to politics, focusing on culture, community, and a variety of activities for its members, as much as on traditional street politics. This is an interview I did by email with Gianluca Iannone, the movement’s leader, in early 2011 for an article I was writing.

CasaPound is still not so well known in the English-speaking countries, even by those active in right wing politics. Could you introduce your movement to our readers and describe it? How big is CasaPound? How many members and how much support do you have?

First of all, linking CasaPound to the right wing is a bit restrictive. CasaPound Italia is a political movement organized as an association for social promotion. It starts from the right and goes through the entire political panorama. Right or left are two old visions of politics, we need to give birth to a new synthesis. CPI has more than 4000 members all over Italy but the supports and sympathy we gain days after days is far larger… Just think that the Blocco Studentesco, our student organization, obtained 11,000 votes in Rome and the Province for the students’ elections.

Please tell us a little about yourself personally and your background.

I was born in August 1973 and started political activism at 14 in the Fronte della Gioventù (Youth Front) in Acca Larenzia, one of Rome’s downtown neighborhood. Since then I have never stopped to be part of this world. Journalist since 1999, I worked for TV and radio stations and also wrote for national newspapers on international conflicts, literature, cinema and music.

Why did you become politically active? Was there some event, action, or person that triggered your political activism?

To tell the truth, there is not one thing in particular. I think it was just fate.

What are main policies and objectives of CasaPound, both short-term and long-term?

CPI works on everything that concerns the life of our nation: from sport to solidarity, culture and of course politics. For sports, we have a soccer teams and academy, we do hockey, rugby, skydiving, boxing, Brazilian jiu-jitsu, scuba diving, hiking groups, caving, climbing. For solidarity, we have first aid teams, we do fundraising activities for the Karen people, and we provide help to orphans and single-mums. A phone line called “Dillo to CasaPound” (tell it to CasaPound) is active 24/7 to give free advises on legal and tax issues. On the cultural ground, we host authors and organize book presentations; we have an artist club, a theater school, free guitar, bass guitar and drum lessons, we created an artistic trend called Turbodinamismo, we have a publishing company, dozens of bookshops and websites. Politically we propose various laws like the Mutuo sociale (social mortgage), Tempo di essere Madri (Time to be a mother) or against water privatization and so many more. Speaking about CPI is never easy because all these things are CASAPOUND. All of these represent our challenges and projects for now and the millennium.

Do you have any significant links with groups or parties outside Italy?

No.

The first thing that strikes people in the English-speaking countries is the name of your group, which, of course, refers to the famous American poet Ezra Pound. How important are Pound’s ideas to your movement? Why have you chosen to include his name in your movement’s title?

Ezra Pound was a poet, an economist and an artist. Ezra Pound was a revolutionary and a fascist. Ezra Pound had to suffer for his ideas, he was sent to jail for ten years to make him stop speaking. We see in Ezra Pound a free man that paid for his ideas; he is a symbol of the “democratic views” of the winners.

Ezra Pound is also a name routinely associated with Anti-Semitism. Some will automatically see the invocation of his name as a rallying cry for Anti-Semitism. Could you clarify CasaPound’s position with regard to the Jews and Israel?

To associate Ezra Pound and anti-Semitism is an absolute twist. It is the same for CasaPound, it has no sense. It is true that we are against Israel politics towards Palestinians, against the bombing of civilians, and the embargo on international help. To say so does not mean to be anti-Semitic, it means analyzing facts.

You are also known for anti-usury rhetoric. Most sensible people oppose excessive usury, but are you opposed to all usury? If not, where does constructive credit end and destructive usury begin?

Usury is the worst thing. It is the head of the octopus. It is it that initiated the wars that are starting around the Mediterranean Sea, which generates illegal immigration and destruction. It is it which creates unemployment, debts. It is it that threatens the future of our children, which make them weak and ready for the massacre.

My impression of CasaPound is that it is very much a grass roots organization that operates successfully in the “arena of street politics,” with marches, parades and events that build identity and community, rather than through conventional elections. In Anglo countries right-wing street politics backfired in the past, allowing the mainstream media to paint very negative images of the National Front in the 1970s and the BNP later. Because of this the BNP now avoids the street as a political arena. Your group’s success suggests that the street is a much more acceptable political arena for the right in Italy. Why do you think this is? What are the differences that make this possible?

First of all, England was never a fascist state. This creates a big cultural difference. Also, as I said before CPI works on dozens of projects and with various methods: from conferences to demonstrations, distribution of information, posters. The important thing is to generate counter information and to occupy the territory. It is fundamental to create a web of supporters other than focusing on elections. For election, you are in competition with heavily financed groups and with only one or two persons elected, you can’t change anything. Politics for us is a community. It is a challenge, it is an affirmation. For us, politics is to try to be better every day. That is why we say that if we don’t see you, it is because you are not there. That is why we are in the streets, on computers, in bookshops, in schools, in universities, in gymnasium, at the top of mountains or in the newsstands. That is why we are in culture, social work and sport. That is a constant work.

Because of the differences between Britain and Italy do you think it is better for the right-wing in the UK to avoid street politics? In this context, what is your view of the English Defence League, a group that obviously sees the street as its arena or forum?

I think that the EDL is going on the ground of the clash of civilization. For me and Casa Pound, this provokes a kind of disgust. If the British right is reduced to this, then let’s speak about soccer, it will be better.

- Interview conducted by Colin Liddell for Alternative Right


This Must Be The Place




Ultimacy


Ultimacy (1991–2011) brings together on one CD the definitive versions of all the singles and compilation tracks released by Blood Axis during the first two decades since the project was founded. Packaged in an elegant digifile case designed by Davide Maspero and Max Ribaric of the Italian underground journal Occidental Congress, and expertly re-mastered by Blood Axis member and renowned studio engineer Robert Ferbrache, Ultimacy presents these rare tracks in their ideal form, exactly as the band itself has always heard and envisioned them. The songs appear in a reverse chronological order, beginning with more recent work and moving back through time to the distant past. Blood Axis has never been bound to a particular style of music, and this is amply demonstrated here with material that spans from aggressive folk rock to atmospheric ritual pieces, all the way to menacing electronica. The topical themes of these songs encompass European folklore; early 20th-century German occultism; Norse and Perso-Roman mythology; fatalism, militarism, and Nietzschean romanticism. In addition to the three core Blood Axis members—Michael Moynihan, Robert Ferbrache, and Annabel Lee—the songs on Ultimacy also feature a number of notable guest contributors including Stephen Flowers (Edred Thorsson), Boyd Rice (Non), Thomas Thorn (Slave State / My Life with the Thrill Kill Kill Kult / Electric Hellfire Club), and Markus Wolff (Waldteufel). Blood Axis has always elicited strong, polarized reactions and a fair dose of controversy that still lingers to the present day. Ultimacy provides a unique opportunity for both the initiated and the uninitiated to explore the history of an influential an uncompromising musical project that refuses to be categorized or contained, and which always operates according to its own rules.

“A thunderstorm was in our sky, the nature which we are grew dark—for we had no road.”

­– Nietzsche

Almost Continuous


The technetronic era involves the gradual appearance of a more controlled society. Such a society would be dominated by an elite, unrestrained by traditional values. Soon it will be possible to assert almost continuous surveillance over every citizen and maintain up-to-date complete files containing even the most personal information about the citizen. These files will be subject to instantaneous retrieval by the authorities.

- Excerpt from: Between Two Ages: America’s Role in the Technetronic Era, 1970


Fall & Winter



If A Tree Falls




Live In Denmark



Somewhere To Disappear



Coasts To Coasts



Tomislav Sunic On RBN



Everything


Lowtalker - Website


Crossing The Line




Move Your Money




Dutch Crips?




Infamous



Stop Imperialism



2081




Transferring Our Preferences


At the root of the domestic malaise is the notion that countries do not belong to the people who have inhabited them for generations, but to whoever happens to be within their boundaries at any given moment — regardless of his culture, attitude, or intentions. A further evil fallacy is the dictum that we should not feel a special bond for any particular country, nation, race, or culture, but transfer our preferences on the whole world, ‘the Humanity,’ equally. Those Americans and Europeans who love their lands more than any others, and who put their families and their neighborhoods before all others, are normal people. Those who tell them that their attachments should be global and that their lands and neighborhoods belong to the whole world are sick and evil.

- Srdja Trifković


Not The Heaven Of The Saints


But the love of wilderness is more than a hunger for what is always beyond reach: it is also an expression of loyalty to the earth, the earth which bore us and sustains us, the only home we shall ever know, the only paradise we ever need – only if we had the eyes to see. Original sin, the true original sin, is the blind destruction for the sake of greed of this natural paradise which lies all around us – if only we were worthy of it. Now when I write of paradise I mean Paradise, not the banal Heaven of the saints. When I write “paradise” I mean not only apple trees and golden women but also scorpions and tarantulas and flies, rattlesnakes and Gila monsters, sandstorms, volcanos and earthquakes, bacteria and bear, cactus, yucca, bladderweed, ocotillo and mesquite, flash floods and quicksand, and yes – disease and death and the rotting of the flesh.

- Excerpt From: Desert Solitaire, by Edward Abbey


Requiem For Detroit