Archive for the 'Music' Category

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Umbria Fest



National Rock



Ipvox


IPVOX - Website


Spring Tour



The New ZZA


And so it begins!

Official release June 21, 2010. Bookings for the special edition of the disc are being taken as of today. Price: 20 euros. The offer lasts until June 21.

How?

- By writing to: perimetros [at] gmail [dot] com or latestadiferro [at] libero [dot] it

- By going directly to the La Testa di Ferro shop.

They will then give you directions on how and where to send the payment.


Bok Van Blerk – Behind The Track ‘De La Rey’






Now I Turn To You


Ruxpin - Website


Memorial Show



Bok Van Blerk




Hungarica


Hungarica - Website


Glory



For The Crew



Assault The Future



Out Now




The Tiger’s Lair



What Is The Primary Ideology That Fuels Music?



Northaunt


Northaunt - Site


Laibach



Lets Have A Good Time



Apoliteic Music?

Arguably the most obvious examples of apoliteic music—which reveals itself through music, lyrics, band names, album and song titles, cover art, style of dress as well as being subtly articulated in live performances—can be found in certain Neo-Folk and Martial Industrial works. From a ‘technical’ point of view, the two genres may seem musically different. The typical Neo-Folk artists sing melancholic ‘folkish’ songs to the accompaniment of acoustic guitars, violins and piano, while typical Martial Industrial acts create dark bombastic collages that usually feature various samples of military marches, battle noises or war-oriented speeches. The genres correlate—hardly surprisingly—with Evola’s interpretation of the idealized origin of now desacralized modern western music. From his point of view, as expounded in Cavalcare la tigre, ‘the most modern western music has been characterized by increasing estrangement from its lineage, both the melodramatic, melodic, heroically romantic and pretentious line (the last of which is typically represented by Wagnerism), and the tragic-pathetic line (we need only refer to Beethoven’s principal ideas)’. Although it’s unlikely that Evola himself would have enjoyed most extreme samples of Martial Industrial music, it is significant that both genres—no matter how ‘technically’ different they are—fit his description.

Continue reading ‘Apoliteic Music?’